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Nit De Nit

by Partisans

  • Compact Disc (CD) + Digital Album

    High quality, 6 panel digifile with a velvety soft-touch laminate finish

    Includes digital pre-order of Nit De Nit. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.
    digital album releases May 17, 2019
    item ships out on or around May 17, 2019
    Purchasable with gift card

      $14 USD or more 


  • Streaming + Download

    Pre-order of Nit De Nit. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released.

    Comes with album artwork booklet PDF + album cover photo as a jpg
    Purchasable with gift card
    releases May 17, 2019

      $10 USD  or more


Klact-Oveseeds-tene Intro Max
Nit De Nit
John I'm Only Dancing
3.15 (on the dot)
The Overthink
Pork Scratching
Last Chance



Phil Robson - guitar
Julian Siegel - tenor and soprano saxophone, bass clarinet
Thaddeus Kelly - bass
Gene Calderazzo - drums


Recorded by Chris Lewis and Ali Ward
at the Vortex Jazz Club, Dalston, London
September 25th and 26th 2018
Mixed by Chris Lewis Julian Siegel and Phil Robson
Mastered by Chris Lewis
Produced by Chris Lewis, Phil Robson and Julian Siegel
Executive Producer - Michael Janisch
Photography - Monika S Jakubowska, Steven Cropper
Album artwork - Monika S Jakubowska


releases May 17, 2019


With an authority developed over two decades on the circuit, Partisans are proud to unleash their first live album, Nit De Nit, recorded at London’s Vortex Club. Across this rezzed-up hour-plus of back-catalogue reinventions and new delights, electric guitarist Phil Robson, saxophonist Julian Siegel, electric bassist Thaddeus Kelly and drummer Gene Calderazzo command the stage with inimitable joie de vivre.

As writers and co-leaders, Robson and Siegel had long thought of releasing a live account of their dynamic shows: “We’ve played many memorable gigs over the years and wanted to capture that energy, in the great tradition of jazz recording.” And though Partisans’ music is carefully conceived, the emphasis is on collective improvisation, explains Phil: “There’s something particular about the way this band gets its material together – we need to play live to get a glimpse of how it’s going to be. Our writing simply sets it in motion, with nothing set in stone, because everyone brings so much personality to it.”

There’s a sense of occasion, nowadays, when they gig in the UK, especially after Robson’s relocation to New York; and the Vortex holds special relevance for Partisans. “The band got its break at the old Vortex (in Stoke Newington) which, in the mid-1990s, was like our local club”, says Siegel. “Back then, most venues were pretty straight-ahead, but that was such a melting pot.” Their sound has evolved significantly from more acoustic origins – inspired along the way by the likes of Bill Frisell, John Scofield and Dave Holland’s Extensions band – into the rock-heavy powerhouse it is today.

A quotation from Charlie Parker’s ‘Klact-oveeseds-tene’ preludes ‘Max’ (from Partisans’ album of the same name), an homage to Max Roach, whose audacious rhythms grace the original Parker recording. As Calderazzo replicates his intricacy (four bars of five, then four of three), the band launch into their own heady bebop celebration, Siegel and Robson unifying its perky riffs. Sidewalk-grooving ‘That’s Not His Bag’ (after pandemonium boarding a flight) hints at Steely Dan; and ‘Nit De Nit’ (hear that call-and-answer) suggests Parker again, only to snap into impressively-synced frenzy and fast swing.

Siegel’s shamelessly brash blues arrangement of ‘John, I’m Only Dancing’, from a classic Bowie songwriting era, indicates a massive Miles influence. A groundhog’s punctual daily arrival in Robson’s New Jersey garden is behind ‘3:15 (On the Dot)’, Siegel’s bass clarinet emphasising tentative footfall around lush guitar chords and improvisational freedom. Punky ‘The Overthink’ is titled following an official’s reassurance to Siegel in boarding the right train: “Don’t overthink it”, while the guitar hues of ‘Eg’ (Egberto Gismonti) provide a Brazilian flavor. Swaggering mash-up ‘Pork Scratching’ features fine percussive detail and bass-pedal electronics before the set closes to koto-like ‘Last Chance’… with a ferocious sting in the tail.

“The band’s early days seem like a lifetime ago!”, admits Robson. “But, alongside being old friends, it’s the exceptional energy which keeps us invigorated – we have such a great time.” Partisans’ superb live recording suggests there’s no stopping them.


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Partisans London, UK

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